Huile sur toile
130 × 97 cm
Signée au verso (2025)
Untitled 21 s’affirme dans une verticalité assumée, presque corporelle, qui relie la terre au ciel, le tellurique au cosmos. L’ossature se dévoile, structure autour de laquelle la matière s’organise. La surface, travaillée et creusée, se répète jusqu’à devenir rythme. La toile, envoûtante, se dresse comme un totem. La matière y est primitive, essentielle, elle porte le temps, le retient, le rend visible. Entre tension et silence, là où le temps s’inscrit, l’interstice devient passage entre la matière et le temps.
Oil on canvas
51,18 × 38,19 inches
Signed verso (2025)
Untitled 21 asserts itself with a bold, almost physical verticality that connects the earth to the sky, linking the terrestrial to the cosmic. The framework is revealed, providing the structure around which the material is organised. The surface, intricately worked and hollowed out, creates a repeated pattern that establishes a rhythm. The canvas, enchanting in its presence, rises like a totem. The material used is primitive and essential, embodying time, preserving it, and making it visible. In the space between tension and silence, where time is inscribed, the gap transforms into a passage bridging matter and time.
Huile sur toile
130 × 97 cm
Signée au verso (2025)
Untitled 21 s’affirme dans une verticalité assumée, presque corporelle, qui relie la terre au ciel, le tellurique au cosmos. L’ossature se dévoile, structure autour de laquelle la matière s’organise. La surface, travaillée et creusée, se répète jusqu’à devenir rythme. La toile, envoûtante, se dresse comme un totem. La matière y est primitive, essentielle, elle porte le temps, le retient, le rend visible. Entre tension et silence, là où le temps s’inscrit, l’interstice devient passage entre la matière et le temps.
Oil on canvas
51,18 × 38,19 inches
Signed verso (2025)
Untitled 21 asserts itself with a bold, almost physical verticality that connects the earth to the sky, linking the terrestrial to the cosmic. The framework is revealed, providing the structure around which the material is organised. The surface, intricately worked and hollowed out, creates a repeated pattern that establishes a rhythm. The canvas, enchanting in its presence, rises like a totem. The material used is primitive and essential, embodying time, preserving it, and making it visible. In the space between tension and silence, where time is inscribed, the gap transforms into a passage bridging matter and time.
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